February 12, 2010

Performance Center for the Arts

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I just got back from hanging a second piece in Rock Hill's
new Performance Center for the Arts. Here it is flanked
by Katie Medlock, Technology Coordinator for the
Arts Council of York County. Thanks also
to Harriet (and Martin!) Goode for having me again!

The piece is titled "Venezuelan Symphony" and I made
it as a tribute to my beloved homeland. Be sure to click
to enlarge so as to better see the hand-dyed fabrics.
This is one of several works that will be featured in a
spread in the soon-to-be-released book "1000 Artisan Textiles." 


February 8, 2010

Sightlines Curator's Statement

"It was my joyful task to invite the fourteen artists who created the large and unique installations comprising Sightlines.

My vision for Sightlines was of a collection of artwork that was so strong and meaningful that the required continuous sightline would be subverted and assume secondary importance.

I wanted artists for Sightlines who were making art about Something. Not necessarily something momentous or earthshaking, but definitely artwork about something that motivated the artist to create artwork of the highest standards both in its materiality and its meaning. We have all seen art that is gorgeous and technically brilliant, but so mindless and without depth that we do no more than glance at it and then glance away, disappointed.

As I studied artists’ images and websites, I had this quote posted near my computer (from Barbara Kingsolver, writing in Small Wonders about her definition of a good short story):

"It will tell something remarkable, it will be beautifully executed, and it will be nested in truth. If it can tell me something I didn’t already know, or maybe suspected, but never framed quite that way, or never before had socked me so divinely in the solar plexus, that was a story worth the read.

The invited artists were already creating artwork that promised a personal, dynamic, and coherent installation for Sightlines. Their artwork not only told an intriguing story, but also enlarged our definition of what an art quilt might be.

It may be argued that the overriding theme of the artwork created for Sightlines is the interaction of time, personal history, and memory. Perhaps the requirement of a continuous line throughout the exhibit ultimately could not be subverted and provoked this thematic trajectory in conscious and unconscious ways.

Britta Ankenbauer’s and Annie Helmericks-Louder’s artworks speak to our hyper-consumerism and our shortsightedness as a sentient species. They ask us to slow down and to become more mindful of our place in a larger world.

Shelley Brenner Baird contemplates the role of randomness in our lives, the predictability of unpredictability. Yael David-Cohen explores windows as a metaphor for what we reveal and what we conceal from the world.

Regina Benson’s wildfires, Sue Dennis’s dry lands, Wendy Lugg’s “new land,” and Pat Owoc’s sweeping prairies all distill for us basic stories about history, emotion, and memory tied to very specific landscapes.

In each of their artworks, Linda Colsh, Kathy Nida, and Jayne Willoughby Scott discuss the convoluted triumphs and tragedies of our short lives as humans. These stories are found in a playful interaction with a red umbrella, in the craziness of a daily life full of vigor, or in a poem written for a funeral.

Fulvia Luciano and Mirjam Pet-Jacobs both explore the difficulties of making connections, of building bridges of understanding. Their artworks speak to us about longing and missed opportunities. In contrast, Leni Levenson Wiener’s artwork shows us that relationships are at the core of our existence, even though we all begin and end our life’s journey alone.

Each of the artists has brought to her Sightlines artwork knowledge, wit, passion, maturity, confidence, and a point of view. These fourteen artists are indeed telling stories about Something.

I thank Studio Art Quilt Associates for the opportunity to serve as curator for this exhibit and Peg Keeney for serving as a patient resource."

— Virginia Spiegel

December 9, 2009

Compositional Conversation

I have had the distinct pleasure of being invited to participate
in a project called "Compositional Conversation."
In the words of its creator, artist Terry Jarrard-Dimond,
this is a "project designed to create dialogue between artists
and a textile construction, artists to artists and hopefully,
artist to audience...  The concept is simple: A composition
made of fabric is begun and then passed from artist to artist..."

Terry goes on to explain the process in detail in a blog
that she has set up specifically for this social, textile experiment.
I hope you will visit it and follow the process along with the participants
and, last but not least, add your thoughts to the conversation by going here.




November 17, 2009

Admit One

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September 22, 2009

Juan

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Juan
Ill and poor his whole life,
he lived quietly in other people's shadows;
he held my tiny hand with great tenderness,
I could sense his ache,
the pain of being invisible.

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September 16, 2009

August 28, 2009

Venezuelan Symphony

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Venezuelan Symphony
37"h by 39"w

This is my memory of the beautiful llanos (plains) of Venezuela when
crossed on horseback -- land as far as the eyes can see,
flowering trees, rivers, birds -- nature's symphony.
Every note, from dark to light, interpreted in cloth.